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MEMORIE SBIADITE (FADED MEMORIES) represents a starting point to think about the way of understanding the "voice in mind" phenomenon. The idea was born after reading a discussion on an online forum, in which a concrete case of a woman constantly at the mercy of a voice was analyzed by two strands of thought. The first was related to the common idea to think the voice as a pathology to be treated with the help of drugs and / or specialists. The other was more inclined to conversation with the hypothetical entity to get rid of it in a simple way.
The short film romances them both, showing as a boy under therapy can't get rid of a voice and a vision just with the help of drugs because they probably belong to his (past) life.
It is a different way to see the mental phenomenon...in a different way to make cinema.

Valentina Galdi was born in Battipaglia (SA) on 1995 17th, January. She attended the Commercial Technical Institute, where she completed her studies with full marks, obtained a three-year degree in Economics and Business Management and a 1st level master in Marketing Management, dealing with the topic of "Cinematographic Marketing" in both final papers.
She took her first steps in Arts in 2015/2016 with a marginal collaboration in an amateur feature film dealing with set design and with the foundation of "The Gladiator Company", a non-professional independent film production company. With the aforementioned she realizes a series of short films, commercials and video clips, winning the prize as Best Trailer at the Cortocircuito Savigliano Film Festival with the short film "Quel che non ti dirò mai - Words Unsaid".
From 2016 to today he has attended a course in creative cinematographic writing with Dominick Tambasco and an assistant director course with Gianluca Fabrizio, as well as a theater workshop with Matteo Salsano and Chiara De Vita.
She won a contest in Theatrical Writing for At the Root Theatre in Scotland in 2020.

MEMORIE SBIADITE (FADED MEMORIES) represents a starting point to think about the way of understanding the "voice in mind" phenomenon. The idea was born after reading a discussion on an online forum, in which a concrete case of a woman constantly at the mercy of a voice was analyzed by two strands of thought. The first was related to the common idea to think the voice as a pathology to be treated with the help of drugs and / or specialists. The other was more inclined to conversation with the hypothetical entity to get rid of it in a simple way.
The short film romances them both, showing as a boy under therapy can't get rid of a voice and a vision just with the help of drugs because they probably belong to his (past) life.
It is a different way to see the mental phenomenon...in a different way to make cinema.