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Cinematography

Cinematography is the art and craft of making motion pictures by capturing a story visually. Though, technically, cinematography is the art and the science of recording light either electronically onto an image sensor or chemically onto film.

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Film Editing

Film editing is the art and craft of cutting and assembling finished film. This work is done by a film editor who helps complete the director's vision of the movie.

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Film on Religion

Even though the academic study of "film and religion" as a subfield within religious studies has only grown since the late 1980s, the link between film and religion is as old as cinema itself.

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Film on Nature

A nature documentary or wildlife documentary is a genre of documentary film or series about animals, plants, or other non-human living creatures, usually concentrating on video taken in their natural habitat but also often including footage of trained and captive animals.

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Callier Effect

The difference in contrast between images created by a photographic film with various illumination techniques is known as the Callier effect. It is not to be confused with the sharpness variation, which is likewise caused by variations in partial coherence.

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Film Criticism

A collection of individuals employed by a production firm to work on a film or motion picture is known as a film crew. The performers that appear in front of the camera or lend their voices to characters in the movie are referred to as the cast, whereas the crew is different. Because the producers hold a piece of the film studio or the intellectual property rights to the picture, the crew is also distinct from the producers.

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Film Modifications

The term "film modifications" often refers to additions or subtractions made to a movie either during or after production. a film that has undergone changes from how it was exhibited during its initial theatrical run.

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Film Recorder

A film recorder is a graphics output device that transfers digital source images to photographic film. A host computer sends an image to a mechanism in a conventional film recorder, which can expose film in a number of ways, most notably direct photography of a high-resolution cathode ray tube (CRT) display. After that, the exposed film can be developed according to standard developing methods and shown using a slide or motion picture projector. Film recorders were used before the widespread adoption of digital projectors, which display the picture signal from a computer directly, saving money and time by removing the need for the intermediary step of transferring computer images to film stock.

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Movie Stock

An analog medium called film stock is used to record animation or movies. A movie projector is used to present the footage onto a screen once it has been produced, edited, and captured by a movie camera. It's a transparent plastic film base strip or sheet that has a gelatin emulsion covering one side that contains minuscule, light-sensitive silver halide crystals. The sensitivity, contrast, and resolution of the film are determined by the sizes and other properties of the crystals.

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Film Theory

Within the academic field of cinema studies, film theory is a collection of scholarly approaches that started in the 1920s by challenging the formal elements of motion pictures. Today, it offers conceptual frameworks for comprehending the relationship between film, reality, other arts, individual viewers, and society as a whole. Though these three fields are related, cinema theory should not be mistaken with general film criticism or film history.

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Filter

A filter is a camera accessory used in photography and cinematography that consists of an optical filter that can be placed within the optical path. Typically, the filter is a glass or plastic disk in a metal or plastic ring frame that may be screwed into the front of the camera lens or clipped onto it. Alternatively, the filter can be oblong or square in shape and installed in a holder accessory.

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Fine Cut

Filmmakers start honing the rough cut during the fine cut by picking the best takes and adjusting the narrative's tempo, rhythm, and tone. At this point, the movie is beginning to take shape, and the directors will have a clearer idea of what the finished picture will look like.

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Flashback in Film

In movies, flashbacks are frequently employed to "resolve an enigma" and represent the character's subjective experience through a recollection of a past incident.Melodramas and film noir both benefit from flashbacks.Various camera techniques, editing approaches, and special effects have been developed in films and television to indicate to the audience that the action being shown is a flashback or flashforward. Some of these techniques include purposeful blurring of the picture's edges, jarring or choppy photography, unusual coloration or sepia tone, or monochrome when the majority of the story is in color. The scene may fade or dissolve, frequently with the narrator's voiceover and the camera focused on the character's face.

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Substitution Splice

The substitution splice, also known as a stop trick, is a cinematic special effect wherein directors change one or more specific elements of the mise-en-scène between two shots while preserving the same framing and other elements of the scene in both shots to create an appearance, disappearance, or transformation. Careful editing is typically used to refine the effect in order to create a smooth transition and ideal point of change.

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