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Lady Of Light review by creator Adam Scarborough.
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Death and mortality have always fascinated me for being the most unknown quantity; the greatest mystery.
I had a preconception of a lady living within the confines of a British cemetery. I think the notion goes back to my childhood when my Grandmother used to take me to a local cemetery to put flowers on her Dad's grave. The fascinating thing about cemeteries is they never age. It's like a time warp of a distant decade or century when you enter. As the surrounding world modifies, the cemetery ages, yet leaving the ambience in tact. Its a fashion that will never go around in circles .

We used to meet other visitors there including a Widow who used to sit next to her Husband's grave telling us " Sometimes I hear him calling me!" I was around 5 years old at the time, and the memory of this stayed with me.

I didn't want the 'Lady Of Light ' concept to necessarily be one of suspense and horror. Moreover, I had in mind an artistic vision of the cemetery as a place of intrigue or perhaps surreal beauty; a place where life and egos still prevailed above and below the soil.

There are few words in Lady Of Light, apart from a little sombre poetry I wrote for the piece.

I wanted the soundtrack of the movie to build into a dissonant regularity- using music from life unto death. I think I headed in the right direction.
The lady Of Light wanders around the zoo of the deceased. I hope it painted a picture of the sanctity of life. She's of another time; memories of those who shed tears of her loss, also long gone.

Actor, Writer, Director, winner of New York Tri-State International Film Festival and others. Likes working with fellow Writers and Artists

Interested in all aspects of creativity. Drill Instructor Spielberg's Band Of Brothers.

Interested in all aspects of Theatre, creativity and performing arts.

Lady Of Light review by creator Adam Scarborough.
.......... ................


Death and mortality have always fascinated me for being the most unknown quantity; the greatest mystery.
I had a preconception of a lady living within the confines of a British cemetery. I think the notion goes back to my childhood when my Grandmother used to take me to a local cemetery to put flowers on her Dad's grave. The fascinating thing about cemeteries is they never age. It's like a time warp of a distant decade or century when you enter. As the surrounding world modifies, the cemetery ages, yet leaving the ambience in tact. Its a fashion that will never go around in circles .

We used to meet other visitors there including a Widow who used to sit next to her Husband's grave telling us " Sometimes I hear him calling me!" I was around 5 years old at the time, and the memory of this stayed with me.

I didn't want the 'Lady Of Light ' concept to necessarily be one of suspense and horror. Moreover, I had in mind an artistic vision of the cemetery as a place of intrigue or perhaps surreal beauty; a place where life and egos still prevailed above and below the soil.

There are few words in Lady Of Light, apart from a little sombre poetry I wrote for the piece.

I wanted the soundtrack of the movie to build into a dissonant regularity- using music from life unto death. I think I headed in the right direction.
The lady Of Light wanders around the zoo of the deceased. I hope it painted a picture of the sanctity of life. She's of another time; memories of those who shed tears of her loss, also long gone.