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I have been in love with cinema since childhood—the magic of watching a story come alive through light, movement, sound, and emotion. For me, filmmaking is not simply about telling a story; it is about noticing the small, often invisible moments that make us human.
As a writer, dancer, and clinical researcher, I have found different ways of observing people and understanding the world around me. Writing taught me to listen to inner voices, dance taught me to communicate through the body, and research taught me to look closely at human behaviour. Cinema became the place where all these parts of me could meet.
I am interested in vulnerability, contradictions, silence, longing, and the moments when something shifts inside a person.

Anagha Poulose is a passionate story teller with published works across social magazines and author of the book, "Story of an Indian Girl: Many Lived, I Wrote". From childhood, Anagha has been deeply drawn to cinema—the spectacular visual medium of storytelling and a powerful way of exploring the human experience. With a background as a writer, dancer, and clinical researcher, she brings together creativity, movement, observation, and an understanding of human behaviour in her filmmaking.
Her work seeks to explore emotionally resonant stories rooted in the nuances and complexities of human life. Through cinema, Anagha strives to create films that are visually evocative, emotionally authentic, and deeply connected to the inner worlds of her characters.

I have been in love with cinema since childhood—the magic of watching a story come alive through light, movement, sound, and emotion. For me, filmmaking is not simply about telling a story; it is about noticing the small, often invisible moments that make us human.
As a writer, dancer, and clinical researcher, I have found different ways of observing people and understanding the world around me. Writing taught me to listen to inner voices, dance taught me to communicate through the body, and research taught me to look closely at human behaviour. Cinema became the place where all these parts of me could meet.
I am interested in vulnerability, contradictions, silence, longing, and the moments when something shifts inside a person.